By: börek - January 8th, 2017 Filed under: Filmavond
Sunday January 15th 2017, Movie night: Divine Intervention by Elia Suleiman, 2002, 92 minutes, in Arabic and Hebrew with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.
When Elia Suleiman’s “Chronicle of a Disappearance” hit the festival circuit in 1996 and 1997, it was a real revelation. The Palestinian director touched on the frustration of being an Arab in Israel, maintaining a strong sense of humor. Rather than agitprop, he made a witty, semi-autobiographical comedy, reminiscent of Jim Jarmusch’s “Stranger Than Paradise” and Jacques Tati. Using himself as a silent protagonist named E.S., Suleiman treated the film as a fictional diary. In many ways, “Divine Intervention” is a close follow-up to “Chronicle of a Disappearance.” Once again, Suleiman stars and remains silent. He plays a filmmaker struggling to write a script, inspired by his experiences. It also begins in his birthplace, Nazareth, and ends in Jerusalem. However, “Divine Intervention” is likely to be far more controversial than “Chronicle.” That film’s gentle tone and ironic ending were taken by some viewers as signs of acquiescence; on the other hand, the violent revenge fantasies of “Divine Intervention” are in danger of being taken literally.
Synopsis – Nazareth, birthplace of the Christian carpenter is also a Palestinian enclave inside Israel. Under the cover of a seemingly banal everyday life, the city is becoming overwhelmed by madness. An old man, a father, breaks down under the pressure of a decaying business. The son, a Palestinian from Jerusalem, is in love with a Palestinian woman from Ramala. Torn between his sick father and his love, he is trying to keep them both alive. Due to the political situation, the freedom of movement for women ends at the Israel Defence Forces checkpoint between the two cities. As the lovers cannot cross the border together they start meeting each other at an abandoned parking lot right at the checkpoint. They cannot free themselves from the clutches of occupation. Their intimacy is fatally marked with the military siege. Lonesome yearnings begin to produce violent retaliations, angry hearts beat with the spasm of imaginary getaways.
Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net
Monday July 20th 2015, Volkseten Vegazulu, people’s kitchen, door opens at 7pm. Infonight with speakers from ISM-Palestine at 8pm. Concert with Trio Bordelestino (Santiago de Chile) and The Casual Acoustics (Amsterdam), gypsy jazz tango bossanova. Early concert!
Informatie avond met sprekers van ISM-Palestine
Woordvoerders van ISM Palestine zijn op Europa-tour, en zullen van 18 tot 22 juli in Nederland zijn (ook dinsdag 21 juli, op de ADM, Info-night about situation in Palestine). Er zijn een aantal bijeenkomsten georganiseerd, waar geïnteresseerden kennis kunnen maken met de doelstellingen, het werk, de geschiedenis, de toekomst en de mogelijkheden om deel te nemen aan het vrijwilligerswerk van de International Solidarity Movement in Palestina (Nablus, Hebron, Ramallah, Gaza).
Spreken zullen o.a.:
– Mariam Barghouti, journalist, student aan de Universiteit van Bir Zeit en bekend van de actie Free.mariam.barghouti (2014) en haar artikelen in de internationale pers: https://ramallahbantustan.wordpress.com
– Karam, longterm vrijwilliger van ISM-Palestine
– Een woordvoerder van de ISM-NL supportgroep.
Videobeelden van het werk van ISM in Palestina zullen getoond worden. Na de plenaire Q&A zal er gelegenheid zijn om te spreken met de aanwezige vrijwilligers van ISM-palestine en ISM-nederland.
Concert with Trio Bordelestino and The Casual Acoustics.
Trio Bordelestino, a French/Chilean acoustic band formed in Santiago of Chili in 2011, by members Lolita Ponce, violin and vocals, Javier Valdebenito, double bass, and David Santis, accordion and vocals. Their repertoire ranges from tango, to French chanson; from Italian canzonetta and tarantella, to Chilean waltz and tonada; from Balkan music, to jazz, and to their own songs which melt those music genres with stories and poems. The use of acoustic instruments has made us a constant presence on the streets, in Chile, Brasil, France and Italy. http://bordelestino.cl/https://soundcloud.com/bordelestino/
The Casual Acoustics are based in Amsterdam. Trio with Vicente (guitar), Hernan (bass), and one clarinet. Inspired by Tchavolo Schmitt, Django Rheinhardt and south american music with a touch of bossanova. […Lees verder]
Monday February 23rd 2015, International Solidarity Movement Benefit, Volkseten Vegazulu, 7pm.
The International Solidarity Movement (ISM) is a Palestinian-coordinated movement committed to resisting the long-entrenched and systematic oppression and dispossession of the Palestinian population, using non-violent, direct-action methods and principles. Founded in August 2001, ISM aims to support and strengthen the Palestinian popular resistance by being immediately alongside Palestinians in olive groves, on school runs, at demonstrations, within villages being attacked, by houses being demolished or where Palestinians are subject to consistent harassment or attacks from soldiers and settlers as well as numerous other situations.
Israeli apartheid is not going to be defeated by words alone; ethnic cleansing, segregation, oppression and domination are going to be dismantled the same way they were erected — through people’s action. The Israeli army and apartheid in Palestine can be defeated by strategic (non-violent) resistance, utilizing the effective resources Palestinians can mobilize — including international participation.
Currently, ISM supports weekly Palestinian-led, non-violent demonstrations against land confiscation in several villages, including Nabi Saleh, Kafr Qaddum, Deir Jarir, Ni’lin and Bil’in. Previously, ISM supported demonstrations in the villages of Budrus and Biddu, where peaceful community marches have succeeded in altering the Annexation Wall’s path. […Lees verder]
By: börek - January 1st, 2015 Filed under: Filmavond
Sunday January 4th 2015, Movie Night: Incendies (Scorched) by Denis Villeneuve (130 minutes, 2010). In Arabic and French, with English subtitles. Door opens at 8pm, film begins at 9pm.
People who have lived through noteworthy experiences – fascinating or tragic – have always inspired writers and filmmakers. Soha Bechara is one such figure. A militant with the communist resistance to the Israeli occupation of south Lebanon, Bechara was imprisoned without trial when she was 21 for trying to assassinate Antoine Lahad, the leader of the Israel-backed South Lebanon Army. She spent 10 years in Khiam prison, six of them in solitary confinement.
Bechara’s story has captured the imagination of Lebanese filmmakers and since her release from Khiam in 1998, she has appeared in a number of documentary studies. Now, in the wake of these artful documentaries, the first of the fiction films has come: “Incendies”. Villeneuve’s film is based on the play of the same name by Lebanese-Canadian playwright Wajdi Mouawad. The plot of “Incendies” revolves around the character of political activist Nawal Marwan, who lived through a harrowing detention before leaving her fictional home country for a life of exile in Canada. Her story is loosely inspired by Bechara’s own experiences. […Lees verder]
Monday October 13th 2014: Benefit for the Palestinian Circus School in Birzeit, Palestine, Volkseten Vegazulu, 19:00.
The first performance of the school, “Circus Behind the Wall”, was presented in August 2006 at Ashtar Theatre in Ramallah. More than 250 people attended the first show and they took it as more than simply a sign of encouragement, it was a sign that the dream of the Palestinian circus group was very much alive. The Palestinian Circus School dreams of a free Palestine in which Palestinians engage in a dynamic cultural and artistic life that embraces creativity, freedom of expression and diversity as the main pillars for a just and inclusive society.
Therefore the cooking collective Gember came together to raise funding for this initiative with the support of Joe’s Garage. Join us on the coming Oct 13 for a night of food, films and discussion on how to keep supporting this initiative. […Lees verder]
Friday October 10th 2014, International Solidarity Movement info-night, 8pm.
The International Solidarity Movement (ISM) is a Palestinian-led movement committed to resisting the long-entrenched and systematic oppression and dispossession of the Palestinian population, using non-violent, direct-action methods and principles. Founded in August 2001, ISM aims to support and strengthen the Palestinian popular resistance by being immediately alongside Palestinians in olive groves, on school runs, at demonstrations, within villages being attacked, by houses being demolished or where Palestinians are subject to consistent harassment or attacks from soldiers and settlers as well as numerous other situations. […Lees verder]
Monday September 29th 2014: Benefit dinner for ART+ACTION in Bilin, occupied Palestine. Volkseten Vegazulu, 19:00.
The Popular Struggle Committee In Bilin & ImaginAction are organizing a gathering in October with many international artists. The program will include giant puppet making, mural painting, olive harvesting, participation in local political actions and an intensive Forum Theater workshop (see below) culminating in public performances within Bil’in and neighboring villages. A series of evening cultural events will feature performances and presentations by Palestinian and International actors, singers, musicians and filmmakers.
Bil’in is one of many Palestinian villages engaged in ongoing, unarmed struggle against Israel’s policy of settler colonialism and military occupation. Over the past decade, Israel has confiscated almost 60% of village land and used it for the construction of Israeli settlements and the apartheid wall. Weekly demonstrations against these illegal activities have included a multitude of creative, non-violent actions led by Palestinian activists with support from allies around the world. […Lees verder]
By: börek - August 1st, 2013 Filed under: Filmavond
Sunday August 18th 2013, Movie night: Waltz with Bashir (Ari Folman, Israel, 2008, 86 minutes, English subtitles). Door opens at 20:00, film begins at 21:00
‘Waltz with Bashir” is a devastating animated film that tries to reconstruct how and why thousands of innocent civilians were massacred because those with the power to stop them took no action. Why they did not act is hard to say. Did they not see? Not realize? Not draw fateful conclusions? In any event, at the film’s end, the animation gives way to newsreel footage of the dead, whose death is inescapable. […Lees verder]
Sunday June 9th 2013, Movie night: Five Broken Cameras (documentary from Emad Burnat & Guy Davidi, Palestine/Israel, 2011, 90 min.) with English subtitles. Door open at 8pm, film begin at 9pm.
His West Bank hometown of Bil’in having turned into a site of weekly civil disobedience and provocative Israeli land development, Palestinian Emad Burnat, a family man, took to documenting the clash, beginning in 2005. Unwittingly, he started calling himself a journalist—isn’t that often how it happens?—and while Burnat’s equipment suffered the brunt of his risk (see title), the results are eye-opening. Sharpened into an adrenalizing narrative by codirector Guy Davidi, 5 Broken Cameras places you squarely in the face of interrogating Israeli soldiers or dangerously close to Humvees being pelted with rocks. Blocky settlements and separation barriers materialize over the years; we come to recognize the main protesters and worry about their safety every time they approach the front lines. […Lees verder]
Mo./Ma. March 11th 2013: Volkseten Vegazulu, Anarchists Against the Wall Benefit, 19:00 pm.
Anarchists Against the Wall [http://awalls.org/] is a group of Israeli, Palestinian and International activists that operate in opposition of the apartheid wall on the West Bank. They take part in the every weekly demonstration that is organized by the village in Bil’in. Taking advantage of the only fact that they are having Israeli passports they function as a human shield, reducing the violence performed by the Israeli soldiers. Every week they are beaten down and arrested and are now facing high legal debts to pay their lawyers to keep them out of prison. As we understand that the presence of Israeli and International activists are of an high importance in the struggle against the wall furthermore the liberation of Palestine we do now have the opportunity to raise some money on behalf of this work. […Lees verder]
Zo./Su. 26 feb. 2012, 19:00, Filmavond, Carlos (Olivier Assayas, 2010, fr, 185′, english subtitles). Exceptionally, doors open at 19:00! Films starts at 19:15 pm. There will be soup and bread served during this long evening.
Terrorist? Revolutionary? Or just a cynic? This continent-hopping biopic of Carlos the Jackal suggests greed and ego won out over principle, writes Peter Bradshaw
The Pimpernel of Marxist-Leninist terrorism is back. For years, Carlos was the spectre haunting Europe, known to western newspaper readers by one single photo: a plump, bespectacled and smugly smirking headshot reproduced with such Warholian persistence that it became an icon of menace. His fugitive invisibility made literary theorists of many, entertaining the feverish notion that he did not exist, that “Carlos” was effectively a socio-cultural construct, a bogeyman invented by the media-political complex to sell papers and to justify the erosion of civil liberties. Carlos’s eventual capture and imprisonment in the 1990s, revealing him to be abjectly human, was a real letdown, as if Osama Bin Laden had been arrested working in a Carphone Warehouse in Watford.
French film-maker Olivier Assayas has now released for the big screen a concatenation of his sweeping TV miniseries about Carlos, starring Édgar Ramírez as the Venezuelan-born revolutionary who abandoned university studies in Moscow in 1970 and travelled straight to Beirut to join the Popular Front for the Liberation of Palestine. The film appears in two versions. The edited-highlights cut weighs in at a chunky two hours and 45 minutes. Or you can sit down to the whole thing: five-and-a-half hours, end to end. It is a measure of Assayas’s showmanship, flair and sheer narrative drive that this super-epic version is actually very watchable and more or less flies by. I’ve seen 80-minute films that felt longer.
As he affects the inevitable beret and cigar, Carlos looks a bit like the evil twin of Che Guevara, and in some ways Assayas’s movie is the evil twin of Steven Soderbergh’s two-part study, Che. Where Che appeared to be the romantic revolutionary leader, however, appearing at the head of a united force, Carlos seems an increasingly jaded terrorist, dedicated – in fine, Life-of-Brian style – to battling with, and undermining, the moderates of his own movement: a globe-trotting ideologue and sexual egotist. In Assayas’s film he appears not as a heroic force, but as the dismal mendicant of the Soviet Union, maintained in hideouts and weaponry by Moscow through its client state East Germany, and by Syria and Libya for whom it is convenient to retain the services of Carlos and his acolytes as a roving expeditionary force for mayhem. Finally the Berlin Wall comes down, taking Carlos’s career with it, and he appears a sleazy and seedy figure, washed up in Sudan where he improbably claims to be a Muslim, getting liposuction for his “love-handles” and apparently evincing not the smallest interest in the Palestinian people.
Assayas sees Carlos’s greatest moment as containing the seed of his downfall: his storming of the Opec convention in Vienna in 1975 during which he and his gang took hostages but failed to carry out the secret plan of killing some of them – most prominently Saudi Arabia’s Sheik Ahmed Yamani – a perceived failure of nerve that caused his expulsion from the PFLP. Here, Carlos popularised or even invented the aircraft hijack as the essential trope of 1970s terrorism: the theatrical gesture that doubles up as bargaining chip and getaway transportation. Carlos got a plane to fly to Algeria, whose government is shown to superintend the payment of $20m of ransom money from the Saudis for Yamani’s safety. A pro-Palestinian gesture turns into a mendacious blackmail spectacular, and at this moment Carlos becomes an intercontinental blowhard, whisking from safe-house to safe-house, existing in a network of untraceable money, and in a grey area between antisemitism and antizionism.
Little of the film is about Carlos’s super-inflated reputation in the media, though it might be interesting to make a movie about him in which he never appears on screen. Assayas simply flits alongside Carlos as he travels from Beirut to London, to Paris, to Damascus, to Tripoli, to Berlin, to Khartoum, angrily and tirelessly haranguing his comrades in various languages about their lack of courage, lack of obedience to his orders, and lack of tolerance about his need to have sex with other people. Ramírez’s performance as Carlos has fluency and swagger. There is little to show the inner man: although he has one bizarre monologue about his tender and sensual passion for weapons.
This is a film about the spectacle, or perhaps more specifically the secret spectacle, of a shadowy individual with a military flair for terrorism and a monkish vocation for revolution in its most rigidly abstract sense, which resulted in an existence that was not “stateless” exactly – Carlos’s privileges were granted by the super-state of Soviet communism – but nomadic, lonely, galvanised by the compulsive preparation for violent assault and the fear of arrest. And getting legal representation from Jacques Vergès (Nicolas Briançon) – the notoriously amoral fast-talker beloved of murderers and tyrants, and investigated in Barbet Schroeder’s documentary Terror’s Advocate – accelerates Carlos’s descent into cynicism.
Assayas’s Carlos is a television-drama-turned-movie that interestingly injects a boxset quality into its idea of epic. There are big establishing shots of each of the foreign cities where the latest episode occurs, but the drama itself, despite its multinational setting, is all intimate, domestic, steamy, almost soapy. It really does rattle along, and Ramírez is a very convincing Carlos: on the run like a bank robber, an ideologue with no ideas, left marooned when the tides of history turn against him.
Film night at Joe’s Garage, nice, warm and cozy cinema! Doors will exceptionally open at 19:00, film starts at 19:15, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net
Zondag 2 oktober – Filmavond, 20uur: (Jackie Reem Salloum, USA, 2008, 80′) – Documentary
Slingshot Hip Hop portrays the story of three aspiring Palestinian musicians from the rap group DAM as they develop their talent in their bedrooms and take it to standing-room-only crowds throughout historic Palestine.
Instead of performing empty songs to Jewish Israeli party-goers, as they did before their political awakening, DAM begin performing Arabic-language raps celebrating Palestinian literary figures, and decrying the realities of Palestinian life under Israeli rule in front of ever-growing crowds of Palestinian youth. […Lees verder]
Monday June 15th 2009, Resistance Against The Occupation Of Palestine, Infonight and Benefit Voku – 18:30 infoavond met Ashraf Abu Rahmev (Bil’in/Palestina), Lymor Goldstein en Inbar Choresh (Tel Aviv/Israel) – 20:30 Benefiet-eten met veganistisch mediterraans eten. [English below…]
Drie activisten uit Palestina en Israel spreken aanstaande maandag over verzet tegen de bezetting van Palestina. Daarna benefieteten. Kom ook! Ashraf Abu Rahmev woont in Bil’in, een dorp in de bezette Westelije Jordaanoever. Elke week demonstreren de bewoners van Bil’in tegen de muur, die Israel dwars door hun land heeft aangelegd. Het Israelische leger reageert doorgaans met veel geweld op de demonstraties. Ashraf werd onlangs neergeschoten terwijl hij gehandboeid was. Ashrafs broer Bassem is in april dit jaar gedood door het Israelische leger tijdens een geweldloze demonstratie. Lymor Goldstein en Inbar Choresh zijn actief in Anarchists Against the Wall, een directe actiegroep opgericht in reactie op de bouw van de muur die Israel in de Westelijke Jordaanoever bouwt. De groep werkt samen met Palestijnen in een gezamenlijke strijd tegen de bezetting. Lymor werd in zijn hoofd geschoten tijdens een demonstrtie in Bil’in en is mensenrechtenadvocaat. […Lees verder]