Iranian Movie night: Kandahar (2001)

KANDAHAR_Mohsen_MakhmalbafSunday November 22nd 2015, Iranian Movie night: Kandahar (by Mohsen Makhmalbaf, 2001, 85 minutes). In Farsi and Pashto, with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

Kandahar (Dari-Persian: قندهار Qandahar) is a 2001 Iranian film directed by Mohsen Makhmalbaf, set in Afghanistan during the rule of the Taliban. Its original Persian title is Safar-e Ghandehar, which means “Journey to Kandahar”, and it is alternatively known as The Sun Behind the Moon. The film is based on a partly true, partly fictionalized story of a successful Afghan-Canadian, played by Nelofer Pazira, who returns to Afghanistan after receiving a letter from her sister, who was left behind when the family escaped, that she plans on committing suicide on the last solar eclipse of the millennium.

Kandahar was filmed mostly in Iran, including at the Niatak refugee camp, but also secretly in Afghanistan itself. Most people, including Nelofer Pazira, played themselves. The film premiered at the 2001 Cannes Film Festival, but did not get much attention at first. After 9/11, however, it was widely shown. Kandahar won Makhmalbaf the Federico Fellini Prize from UNESCO in 2001.

Synopsis: Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn’t so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she’s decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister’s life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people.

More about the film: http://www.makhmalbaf.com/?q=film/kandahar
More about the director: http://www.makhmalbaf.com/?q=mohsen

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Iranian Movie night: At Five in the Afternoon (2003)

At_Five_in_the_Afternoon_Maysam_MakhmalbafSunday September 20th 2015, Iranian Movie Night: At Five in the Afternoon (Persian: پنج عصر, Panj é asr‎) by Samira Makhmalbaf, Iran, 2003, 106 min.). In Dari Persian with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

It tells the story of an ambitious young woman trying to gain an education in Afghanistan after the defeat of the Taliban. The title comes from a Federico García Lorca poem and is a tale of flourishing against the odds. At Five in the Afternoon was the first film to be shot in Kabul after the NATO invasion.
After the fall of the Taliban regime, the schools again open their doors to girls. Nogreh (Agheleh Rezaie) dreams of liberation. She wants to become Head of State (following Benazir Bhutto’s example), in order to reform the status of the Afghan woman. But the girl and her family only meet misery and desolation in a country in ruins.
This third full-length film by the talented Iranian filmmaker is without question her most pessimistic. It’s the prolongation of the segment she directed within the framework of the collective film 11′ 09′ 01. It also echoes the film Kandahar, directed by her father.

More info about the director: http://www.makhmalbaf.com/?q=marziyeh
More about the film: http://www.makhmalbaf.com/?q=film/At-five-in-the-afternoon

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Iranian Movie night: The Day I Became a Woman (2000)

TheDayIBecameAWomanSunday July 19th 2015, Iranian Movie night: The Day I Became a Woman (Persian: Roozi ke zan shodam, روزی که زن شدم‎) by Marzieh Meshkini (2000, 78 minutes). In Persian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

It is comprised of three interconnected vignettes that depict women at three stages of life in Iran. It premièred at the 2000 Venice Film Festival and won several festival awards during 2000. This film is episodic and it consists of 3 stories about the women’s situation in Iran.

First story: Hava
One morning a small girl named Hava wakes up and notices that she has become a woman because she is now 9 years old and playing in the streets with the boys is considered a sin from that day on. Hava cries and asks her grandmother to go to the street for one last goodbye with the boys.

Second story: Ahoo
This episode is about a young lady whom participates in the women’s bicycle race with her black traditional chador (veil) and her husband, while riding a horse, threatens to divorce her if she doesn’t get off the bicycle.

Third story: Houra
This episode is about an old woman whom has inherited some money during the last years of her life after years of poverty and now she has decided to spend all the money before she dies and to buy all the stuff that she always wished to buy during her life.

The film was co-written by director Marzieh Meshkini, from a script by her husband Mohsen Makhmalbaf. It was shot on Kish Island in the Hormozgān Province in southern Iran. Meshkini has said that as a female filmmaker, she found making a film in Iran particularly difficult, having to prove her abilities to the cast and crew before being accepted by them.

More info about the director: http://www.makhmalbaf.com/?q=marziyeh
More about the film: http://www.makhmalbaf.com/?q=film/the-day-I-Became-A-Woman

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Kurdish Movie Night: Blackboards (“Takhté siah”)

MV5BMTUwOTM0NzgyNF5BMl5BanBnXkFtZTcwMjU1OTQyMQ@@._V1_SY317_CR4,0,214,317_AL_Sunday June 14th 2015, Kurdish Movie Night: Blackboards ( تخته سیاه‎, by Samira Makhmalbaf, Iran, 2000, 88 min.). In Kurdish with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

After the chemical bombing of Halabcheh in Iraq a number of Kurd refugee teachers seek for pupils who are willing to educate around the border as they carry their blackboards like Jesus’ crosses. One of them encounters a group of teenage smugglers and tries to convince them to educate as they carry their heavy backpacks full of smuggled stuff. The other teacher encounters a group of old and tired men, whom after years of migration are going to their own country to die there. But it seems that hunger and insecurity has not left any chance for the education of the generations.

The film focuses on a group of Kurdish refugees after the chemical bombing of Halabja by Saddam Hussein’s Iraq during the Iran–Iraq War. The screenplay was co-written by Makhmalbaf with her father, Mohsen Makhmalbaf. The dialogue is entirely in Kurdish and Makhmalbaf describes it as “something between reality and fiction. Smuggling, being homeless, and people’s efforts to survive are all part of reality… the film, as a whole, is a metaphor.” […Lees verder]

Iranian movie night: The Song of Sparrows (2008)

The_Song_of_SparrowsSunday May 3rd 2015, Iranian Movie night: Avaze Gonjeshk-ha, آواز گنجشک‌ها , The Song of Sparrows by Majid Majidi (2008). In Farsi with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

When an ostrich-rancher focuses on replacing his daughter’s hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes into a world alien to him – incredibly hectic Tehran, where sudden opportunities for independence, thrill and challenge him. But his honor and honesty, plus traditional authority over his inventive clan, are tested, as he stumbles among vast cultural and economic gaps between his village nestled in the desert, and a throbbing metropolis.
More info here: http://en.wikipedia.org/wiki/The_Song_of_Sparrows […Lees verder]

Iranian Movie night: Women Without Men (2009)

Women_Without_MenSunday April 12th 2015, Iranian Movie night: Women Without Men by Shirin Neshat (2009, 95 minutes). In Persian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Neshat offers an exquisitely crafted view of women rights today in Iran as compared to Iran in 1953, when a British- and American-backed coup removed the democratically elected government. The Women Without Men movie was adapted from the novel by Iranian author Shahrnush Parsipur, the film weaves together the stories of four individual women during that time, whose experiences are shaped by their faith and the social structures in place. The film grants audiences the opportunity to explore the lives of four women and the beautiful countryside of Iran, where Neshat explores the social, political, and psychological dimensions of her characters as they meet in a metaphorical garden, where they can exist and reflect while the complex intellectual and religious forces shaping their world linger in the air around them. […Lees verder]

Iranian Movie night: The Circle (2000)

jafar_panahi_the_circleSunday March 8th 2015, Iranian Movie night: The Circle by Jafar Panahi (2000, 90 minutes). In Persian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

The Circle (Farsi: دایره‎) is a 2000 drama film by Iranian independent filmmaker Jafar Panahi that criticizes the treatment of women in Iran. The film has won several awards, including the Golden Lion at the Venice Film Festival in 2000, but it is banned in Iran.

The Circle offers a look at the world of seven women in Iran, searching for themselves while struggling with everyday oppression. The film does not have a central protagonist: instead, it is constructed around a sequence of short interconnecting stories that illustrate the everyday challenges women face in Iran. Each story intersects, but none is complete, leaving the viewer to imagine both the background and the ending. All the actors are amateurs, except Fereshteh Sadre Orafaee who plays Pari, and Fatemeh Naghavi, who plays the mother abandoning her daughter.[2] Throughout the movie, Panahi focuses on the little rules symbolizing difficulties of life for Iranian women, such as the need to wear a chador under certain circumstances, or not being allowed to travel alone. He frequently uses contrast to illustrate both happiness and misery in contemporary Tehran […Lees verder]

Kurdish Iranian new wave cinema: The Songs of My Mothers Land – Marooned in Iraq (2002)

Marooned_in_IraqSunday February 15th 2015, Kurdish Iranian new wave cinema: The Songs of My Mothers Land – Marooned in Iraq. آوازهای سرزمین مادری‌ام‎ (گم‌گشتگی در عراق) by Bahman Ghobadi, 2002, 108 minutes. In Kurdish and Persian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Synopsis: In Iran and Iraq’s postwar years, when Iraq bombs its Kurdistan, an old Iranian Kurd singer, accompanied by his musician sons, start searching for his ex-wife Hanareh. Hanareh, a women singer, has gone to Kurdistan in Iraq. The film is the story of the band’s journey, joined with their music. It is the story of a nation that has always been wandering. Being so used to war, they take it as a game and with their music they celebrate life.

Many years ago before our memories were clouded by the moments of heroic bravery at the hangman’s alter which will, for many Arabs, go on to posthumously defining Saddam Hussein, there were innumerable mass graves, gassed victims, orphaned children and menacing jet fighters roaring in the Kurd skies that reminded people of what Saddam stood for.

Bahman Ghobadi’s “Songs of my motherland” (also known as ‘Marooned in Iraq’) is not just a tale of Mirza the legendary Kurd singer but an epic of his people. As Mirza sets out to seek his rebellious ex-wife, Henareh, a belle who has captured the hearts of the people through her voice and her songs, we are introduced to the nuances and shades of the people of the region. […Lees verder]