Can Dialectics Break Bricks Cinema: Sambizanga (Sarah Maldoror, 1972)

Sunday 12 November 2023, Can Dialectics Break Bricks Cinema: SAMBIZANGA * 1972 * Directed by Sarah Maldoror * 97 Minutes * In Lingala and Portuguese, with English subtitles * Doors open at 20:00, intro & film start at 20:30.

This flick takes place during the Portuguese occupation of Angola and focuses on the liberation struggle of African people living under a dictatorship and secret police force. And although there are freedom fighters that are being rounded up and arrested, this film was directed by a woman and therefore she gives it a more unusual and personal perspective. Different from most movies about colonialism, this one is much more intimate, moves at a human speed, and follows the plight of a single mother’s experience when her husband is arrested and disappears. She goes from police station to police station, from prison to prison, searching for him and what she experiences is a labyrinthine Kafkaesque bureaucracy.

It is based on the 1961 novella The Real Life of Domingos Xavier by José Luandino Vieira. When the film was made Angola was still under a dictatorship, and therefore the film had to be shot in the Congo. Many of the so-called actors in the film are real people that were working in the liberation movements at the time. Two years after the film was made a left-wing coup overthrew the government and liberated the country from the Portuguese. This film created an incredible historical president, helping people to understand what was happening on a grass-roots cultural level. Although the situation is harsh, director Sarah Maldoror was able to create a film of pure poetry. The cinematography shimmers, and one critic compared it to a Caravaggio painting.

This will be a high definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Palestinian movie night: Homage by Assassination (Elia Suleiman, 1992), Aisheen, Still Alive in Gaza (Nicolas Wadimoff, 2010)

Sunday 5 november 3023, Palestinian movie night: Homage by Assassination (Elia Suleiman, 1992), Aisheen, Still Alive in Gaza (Nicolas Wadimoff, 2010). Free admission. Doors opens at 20:00, films start at 20:30

Homage by Assassination – Short film by Elia Suleiman – 1992 – 23 minutes – Arabic with English subtitles
A Palestinian filmmaker is writing a script in his New York apartment during the first Gulf war. As much as he tries to shut himself off from the exterior world, images of past wars in the Middle East come back to haunt him.

Aisheen, Still alive in Gaza – Documentary by Nicolas Wadimoff – 86 minutes – 2010 – Arabic with English subtitles
Synopsis: « Where is the ghost town? », asks the little boy to the theme park attendant. « It’s there, right there. But it has been bombed… Do you want to see it? » It is with these words that the film, « Aisheen», begins – an impressionist journey through a devastated Gaza after the war. And the ghost town? Gaza is the ghost town.
Clowns that try to make children forget the bombing, armed with rubber balloons; a beached whale, “as big as a building” that feeds the fantasy; a scrawny, stuffed lion, bizarrely hanging in a cage at a zoo as if it were a trophy. A woman, at the side of the road, who has already been waiting for three weeks for a petrol delivery…
“Aisheen” (Still alive in Gaza) tells the story about the wait after the disaster. The wait for a better future inside the biggest prison in the world.
Through encounters in these otherwise ordinary places (but places that, here, take on another meaning), the film portrays a different Gaza. Poetic, surreal at times. “Aisheen” is a tribute to life…
Trailer: https://vimeo.com/240881521

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Blown to the heart (Gianni Amelio, 1982)

Sunday 29 October 2023, BLOWN TO THE HEART [COLPIRE AL CUORE] (1982) * Directed by Gianni Amelio * 105min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage in sharing comments, ideas, and inspiration with the host(s) of the evening!

Dario is a university professor who wants to live a quiet life, dealing with research and being a good husband. What is happening in Italy does not concern him. His son, Emilio, does not confront with him, so he tries to connect with him at the university, listening to his father reading poetry in French. He becomes intrigued by politics, thanks to a friend of his father’s, Giulia. Then, a terrorist act attributed to the Red Brigades changes the perception by Emilio forever.

Considered a masterpiece in the depicting the psychology of its characters, Gianni Amelio’s Colpire al Cuore shows a turbolent moment of the Italian recent history (early 80s) through the lenses of the conflict father-son. Notwithstanding the political background, Amelio puts intimacy and emotional transformations at the heart of his poetic view of cinema.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Nola Darling (Spike Lee, 1986)

Sunday 15 October 2023, Can Dialectics Break Bricks Cinema: NOLA DARLING 1986 * Spike Lee * 82 minutes * In English * Doors open at 20:00, intro & film start at 20:30.

Maybe the best feature film by Spike Lee is the one he made at the very beginning, the one that has been kind of dumped, left behind and forgotten about. The one before he started getting more money, and before he started doing the Hollywood shtick (שטיק). In a sense, it is an ode to the spirit of women, and the right for a woman to own her own body and decide her own fate.

The main character of this movie is Nola Darling, who has an ongoing relationship with three different men. It must’ve been almost impossible to find an unknown actress that would be able to handle a role like this, and Tracy Camilla Johns absolutely sparkles in an incredibly naturalistic way. This being a Spike Lee joint means that it is also about urban black culture, but that is actually in the background in relation to the film’s real focus – Nola Darling’s struggle for autonomy. It’s a surprisingly playful film, not only in its content, but also in its style and structure. Like I said, this was made before Spike went straight. Having said that, there is one sensitive scene that was rushed through insensitively, and Lee says in hindsight he regrets it. Once again, the great thing about these community cinemas is that it gives us the opportunity to discuss these issues after the screening.

It was shot in shimmering black-and-white, and there is a kind of lush sensuality in its camerawork, giving respect to the human body in ways that we don’t see in cinema much these days. It keeps its rough edges and is leagues away from a glossy CGI’d, photoshopped look, offering us a great alternative to the Barbie sham that is being hyped at the moment. This first film by Spike Lee was considered to be groundbreaking when it came out and a triumph of independent cinema, but for years now it’s been almost impossible to see. It’s snappy, clever, charming, and creative, but it’s Tracy Camilla Johns’ disarming performance as Nola that ignites the entire project and sets it ablaze.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Bianca (Nanni Moretti, 1984)

Sunday 24 september 2023, Cinema Italia: BIANCA (1984) * Directed by Nanni Moretti * 96 min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage in sharing comments, ideas, and inspiration with the host(s) of the evening!

Nanni Moretti, director and main actor in many of his movies, in Bianca explores the genre of crime. But it is a Moretti’s film, so it’s not a real crime film, but a film with his alter ego Michele Apicella — here at its debut — travels from romantic comedy to political, engaged film, in a surrealist humorous way, with a touch of grotesque here and there.

Most of the plot happens inside a school, where portraits of Dean Martin and Jerry Lewis are juxtaposed to Dino Zoff, the Italian national hero of football, as well as Descartes, Pythagoras, and Kant.

If you have never seen a Nanni Moretti’s movie, Bianca is for you. If you have seen his classics like Caro Diario, you will understand with Bianca when everything started. If you watched Il sol dell’avvenire and you did not understand anything, come and watch Bianca as well.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Air-doll (Hirokazu Kore-eda, 2009)

Sunday 10 September 2023, Can Dialectics Break Bricks Cinema: AIR DOLL * (空気人形, Kūki Ningyō) * Directed by Hirokazu Kore-eda * 2009 * 116 minutes * In Japanese with English subtitles * Doors open at 20:00, intro & film start at 20:30.

The premise of this flick is quite simple. A middle-aged man has a life-size sex doll he calls Nozomi at home that he makes love to every night. He doesn’t only have sex with Nozomi, he also dresses her up and has dinner with her. What can I say? People are lonely in this overcrowded modern world we live in, especially in big cities like Tokyo that are ironically packed with people. Seems like a contradiction, but is certainly true.

Then something unusual happens – one day the lifeless doll begins to come to life, as if she is suddenly filled with human feelings and a soul. Once this doll starts breathing and moving, she is as confused as anyone else about who she is. Since her owner is away at work, she goes out for a walk trying to understand the world around her, and the story unfolds from there.

As you approach the film, you must remember this is not an American film, which would take cheap shots with such a story and exploit it. Instead, this flick is weirdly humanist, with a sort of melancholic bent. It is Japanese director Kore-eda’s way of mapping out modern life, an attempt to help us see the world around us differently. Starring Korean actress Bae Doo-na as the titular air doll.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Zahrada (Martin Sulik, 1995)

Sunday 20 august 2023, Can Dialectics Break Bricks Cinema: ZAHRADA * The Garden * 1995 * Directed by Martin Sulik * 99 minutes * In Slovak with English subtitles * Doors open at 20:30, intro & film start at 21:00.

Wow, here is a very special film which is hardly ever screened, despite the fact that it was a multiple award-winner when it came out. The kind of magical film that many people feel the urge to see it over and over again….. Zahrada is deeply loved in its home country, and its a wonderful example of magic realism in contemporary cinema.

The main character’s life in this film has reached a dead-end. He decides to leave his job, and then gets into a fight with his father. The trouble is compounded by his affair with a married woman. An affair that doesn’t make him happy. Breaking out, he escapes from his previous world to retreat to a small country house in the countryside which had been his grandfather’s garden. There he finds his life transforming through the powers of nature.

Some people have called this film a comedy, but its humor works on such a subtle level that it can’t be compared to the blunt comedies from Hollywood, for example. It’s ingenuous, transcendent and spellbinding. It gives you the feeling of entering a new dimension where the distinction between reality and fiction gradually vanishes. The pace of the film is unrushed and almost dreamlike, slowly unfolding in totally unexpected directions.

One viewer’s comment:

“The powerful images of the mystical garden are dream-like, but also very real. It takes you to a place where you feel it touches your innermost wishes of tranquillity and peace. A dream within a dream, a fantasy that becomes reality. Let this movie take you to a place you never imagined existed…..and enjoy the ride.”

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: The Favourites of the Moon (Otar Iosseliani, 1984)

Sunday 6 august 2023, Can Dialectics Break Bricks Cinema: FAVORITES OF THE MOON * 1984 * (Les favoris de la lune) * Directed by Otar Iosseliani * 101 minutes * In French with English subtitles * Doors open at 20:30, intro & film start at 21:00.

Director Otar Iosseliani made films in his homeland of Georgia, under Soviet rule back in the 60s. He eventually moved to France and continued to unleash his unique vision of cinema, carrying over his own Georgian humor and crafted surrealism into a French setting.

This movie is largely visual, and consists of a long string of seeming random situations that occur throughout Paris. In the course of the film we follow a patchwork of scenarios that range from the chic high-art world to tramps living on the street to the dark underworld of terrorists. The link between them all are two objects… an 18th-century chinaware set, and a 19th-century nude portrait. The director himself called this elliptical journey “an abstract comedy” and indeed it is a movie that speaks to the imagination rather than stereotyped storytelling. This is an example of free cinema, where anything can happen. It takes its title from Shakespeare’s description of thieves: “Diana’s foresters, gentlemen of the shade, favorites of the moon.”

Since it drifts in and out of so many lives and events, and because of its beautifully kaleidoscopic story line, this particular movie has often been compared to Luis Buñuel, Jacques Tati and Robert Altman. And because of its openness, it can be watched as either a wild trip, or as a commentary on the senselessness of our modern society that respects objects more than life itself. This film was winner of the Special Jury Prize at the 41st Venice International Film Festival. Starring Mathieu Amalric.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net